Coorabell Hall Film Club
Wednesday 3 September

Food & drinks (Licensed) from 6.00PM
Movie starts at 7.30PM

DIRTY ROTTEN SCOUNDRELS 1988

In 1988 director Frank Oz assembled an impressive cast, securing Steve Martin and Michael Caine in leading roles. The film strikes a balance between humour and tastefulness, remaining engaging without being offensive, and features strong performances alongside gorgeous cinematography by Michael Ballhaus on the French Riviera. The production maintains its appeal over time, continuing to feel fresh when viewed today.

Steve Martin and Michael Caine employ contrasting comedic styles – Martin’s broad, physical approach complements Caine’s subtle, measured delivery. Oz capitalises on this dynamic, crafting memorable scenes such as Caine’s Lawrence tutoring Martin’s Freddy in refinement and Freddy performing as ‘Ruprecht,’ Lawrence's disruptive brother. These sequences allow Martin considerable creative freedom and demonstrate effective collaboration between the leads; Martin delivers the comedic punch, but it is Caine’s reactions that enhance the humour. Oz’s direction reflects an astute understanding of the genre and his cast.

Caine’s portrayal of Lawrence Jamieson exemplifies charm and sophistication, evoking comparisons to classic actors like David Niven and Cary Grant. His character’s personal code, targeting only wealthy women who ostensibly deserve deception, renders him both compelling and relatable.

Conversely, Martin excels as Freddy, showcasing exceptional physical comedy reminiscent of Buster Keaton or Charlie Chaplin. Martin’s performance is characterised by expressive body language and timing, generating humour with minimal effort and elevating scenes through his portrayal of ‘Ruprecht’. His ability to evoke laughter through nuanced gestures and exaggerated movements underscores his talent in visual comedy.

Notably, the film is a remake of the 1964 feature Bedtime Story (starring David Niven, Marlon Brando, and Shirley Jones), was later adapted in 2019 as the gender reversed The Hustle, and also evolved into a Broadway musical in 2005.